FEATURES Flak Photo partners with Blurb to feature 25 photographers and their award-winning books from this year's Photography.Book.Now competition MORE » |
WEEKEND This month's series features work from Andrew Phelps' Not Niigata, a project commissioned by the European Eyes on Japan Festival. MORE » |
IN PRINT Three new books: Keith Carter's A Certain Alchemy, Jessica Backhaus' One day in November and Who We Were: A Snaphot History of America. MORE » |
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FLAK PHOTO FEATURES Photography.Book.Now | An Online Photobook Exhibition Photography books have become a natural extension of the photographic process, and are shaping the future of photography as we know it. With the rise of print on demand technologies, contemporary photographers are producing bound collections of their work and forever changing the face of publishing in the process. Earlier this year, Blurb announced the winners of Photography.Book.Now, a celebration of the most creative, most innovative, and finest photography books – and the people behind them. Now in its second year, the international juried book competition featured more than 2,400 entries from 50 countries around the world. In support of the project, Flak Photo highlights work from twenty-five of this year's award winners in the Flak Photo Gallery. The five-week feature includes images from Anastasia Cazabon, Rafal Milach, Susan Worsham, Julia Gillard, Alejandro Cartagena, Kurt Tong, Betsy Schneider, Keliy Anderson-Staley, Stacy Arezou Mehrfar, Gideon Barnett, Jose Luis Cuevas, Elizabeth Fleming, Deborah Hamon, Matt Logue, Nathan Lunstrum, Yuta Nakajima, Ed Panar, Peter Riesett, Irina Rozovsky, Stewart Simons, Lacey Terrell, Ben Golik, Jeff Rich, Lung S. Liu, and Brian Rose. Flak Photo's Photography.Book.Now feature runs weekdays from MON, NOV 16 - FRI, DEC 18, 2009. Don't want to miss a day? Subscribe to daily delivery of Today's Flak Photo and connect with Flak Photo on Twitter + Facebook!
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CALL FOR ENTRIES Project Basho is pleased to announce ONWARD, an annual juried photography competition exclusively featuring the work of new and emerging photographers with unique vision and talent. Deadline for submissions is Friday, November 13. For details, visit the ONWARD website by clicking the graphic to your right. |
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IN PRINT / NEW PHOTO BOOKS Flak Photo considers unsolicited photography books from artists, publishers and galleries for inclusion in its pages. To submit a title for consideration, contact editor Andy Adams by email at photo@flakmag.com.
A Certain Alchemy | Photographs by Keith Carter
Lauded as "a transcendent realist" and "a poet of the ordinary," Keith Carter is an internationally acclaimed photographer whose work has been shown in over one hundred solo exhibitions in thirteen countries. At first finding his subjects in the familiar, yet exotic, places and people of his native East Texas, Carter has since expanded his range not only geographically, but also into realms of dreams and imagination, where objects of the mundane world open glimpses into ineffable realities. Here, he explores relationships that are timeless, enigmatic, and mythological. Drawing from the animal world, popular culture, folklore, and religion, Carter presents photographs that attempt to reflect hidden meanings in the real world. Accompanying the images is an introduction by Carter's friend and fellow photographer Bill Wittliff, who describes Carter's artistic journey and the epiphanies he has experienced. Patricia Carter, Keith's wife and muse, also offers her insights into the wellsprings of his work. Hardcover • 182 duotone photographs • 184 pages • 12 x 12 in. • $50 US • About the Book
One day in November | Photographs by Jessica BackhausJessica Backhaus’ book is a tribute to Gisèle Freund on what would have been her 100th birthday in December 2008. The book One Day In November is a testament to the friendship between the great photographer and a young photography student in Paris during the 1990s. Intended as a posthumous birthday present, Backhaus compiled a collection of images that are meant to convey visually what Gisèle Freund taught her and what Gisèle meant to her. Freund herself, a former Magnum photographer, can certainly be considered as one of the great artistic and intellectual figures of the twentieth century whose impact can be traced to her photographic work and colorful biography. Hardcover • 1 B&W / 99 color photographs • 128 pages • 8.5 x 9.5 in. • $78.00 US • About the Book
Who We Were | A Snapshot History of America
Since the birth of snapshots, Americans have used simple, inexpensive cameras to record their life stories. In the process, they have left behind millions of pictures that document the story of America. The book's authors — Michael Williams, Richard Cahan, and Nicholas Osborn — spent the past decade at flea markets and antique stores, and went online looking at more than a million family photos to find snapshots that tell America's story. The book begins in 1888 with the earliest snapshots and ends in 1972, when a NASA astronaut placed a cherished family snapshot on the moon. With 350 color and black-and-white photos, Who We Were shows a side of America not reflected in history or photography books: a racy, quirky, fun-loving nation. It shows real America. Hardcover • 350 B&W / color photographs • 240 pages • 10 x 9.75 in. • $45 US • About the Book |
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WEEKEND / NOVEMBER 7, 14, 21 & 28, 2009 We're pleased to present Flak Photo's WEEKEND series, a curated selection of images that highlights work from new photo essays, book projects and gallery exhibitions. Series photographs are published on Saturdays and shown throughout the weekend. Not Niigata | Photographs by Andrew Phelps When traveling in a foreign place, we tend to be fascinated with both the exotic and the mundane. The two are often one and the same, especially in a place where the gap between old and new is astronomical. But what does it mean to photograph with the pretense of documentation? Earlier this year, Andrew Phelps was commissioned to photograph in Japan’s Niigata Prefecture for the European Eyes on Japan Festival. Rather than attempting to portray an illusion of cultural comprehension in the resulting images, Phelps' used his camera to observe the gap between cultures. These pictures don't claim to "tell the truth" about his experience — they're merely a visual response to his brief encounter as a traveler, passing through, always lost and illiterate. In fact, they present a story about not understanding Niigata. About the Photographer | About the Book | Order the Not Niigata Special Edition |
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SPONSOR FLAK PHOTO Do you have an online photography project you'd like to promote? Share it with our readers by placing a graphic advertisement in this space. Banner ad space is available for use on a rolling basis. For details about our readership, website statistics, or to inquire about placing a graphic ad, email editor Andy Adams at photo@flakmag.com. |
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ABOUT FLAK PHOTO Flak Photo is a daily photography website that celebrates the art & culture of photography online. Produced by Andy Adams, the site highlights new series work, book projects and gallery exhibitions from an international community of contributors. SUBMISSIONS An online gallery and social media magazine, Flak Photo provides unique opportunities for artists and photography organizations to share their work with a community of photographers, galleries, publishers, curators and editors. To submit your work for consideration, email your photograph (sRGB JPG format, minimum 1000px wide) with title and caption details to photo@flakmag.com. Please include the following information with your submission:
Naturally, photographers retain all copyright on submitted materials. Contributors are formally credited and Flak Photo's style is to link the credit to a contributor's website. THE FINE PRINT All photographs presented here are the sole property of the contributing artist unless otherwise noted. Published works are protected under domestic and international copyright laws and are not considered to be public domain. No photograph may be reproduced, copied, manipulated, or used whole or in part of a derivative work, without written permission. All rights reserved. |
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