FEATURES This spring, Flak Photo partnered with Aperture Foundation to highlight 20 emerging artists from reGeneration², a book + group exhibition. MORE » |
IN PRINT Three new books: Keith Carter's A Certain Alchemy, Jessica Backhaus' One day in November and Who We Were: A Snaphot History of America. MORE » |
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FLAK PHOTO FEATURES reGeneration² | Tomorrow's Photographers Today Flak Photo continues its 2011 program by partnering with Aperture Foundation to feature work from 20 artists included in reGeneration², a book + group exhibition that examines how the new generation of image-makers operates, showcasing the inspiring creativity and ingenuity of emerging photography. The spring feature highlighted the perspectives of 20 of these artists including images from Agnes Eva Molnar, Dru Donovan, Ani Kington, Kalle Kataila, Daniel Kaufmann, Christine Callahan, David Favrod, Richard Mosse, George Awde, Milo Newman, Maxime Brygo, Nick Graham, Matthieu Gafsou, Tehila Cohen, Savas Boyraz, Robin Friend, Sophie T. Lvoff, Sasha Rudensky, Su Sheng, and SungHee Lee reGeneration² — the broadest and most enterprising survey of its kind — explores how today’s young photographers view the world, how they respect, build on, or reject tradition, and whether they choose the darkroom, the computer lab, or both, to make their art. Curators William A. Ewing and Nathalie Herschdorfer selected the most promising candidates from 120 of the world's top photography schools. The resulting publication + exhibition reveal the flexibility of young photographers as they pass fluidly from one genre or technique to another. Don't want to miss a day? Flak Photo's reGeneration² feature ran weekdays from May 2 - 27, 2011. |
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SPONSOR FLAK PHOTO Do you have a web photography project you'd like to promote? Share it with our readers by placing a graphic advertisement in this space. Banner ad space is available for use on a rolling basis. For details about our readership, media partnerships or other inquiries, email editor Andy Adams at photo@flakmag.com. |
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IN PRINT / NEW PHOTO BOOKS Flak Photo considers unsolicited photography books from artists, publishers and galleries for inclusion in its pages. To submit a title for consideration, contact editor Andy Adams by email at photo@flakmag.com.
A Certain Alchemy | Photographs by Keith Carter
Lauded as "a transcendent realist" and "a poet of the ordinary," Keith Carter is an internationally acclaimed photographer whose work has been shown in over one hundred solo exhibitions in thirteen countries. At first finding his subjects in the familiar, yet exotic, places and people of his native East Texas, Carter has since expanded his range not only geographically, but also into realms of dreams and imagination, where objects of the mundane world open glimpses into ineffable realities. Here, he explores relationships that are timeless, enigmatic, and mythological. Drawing from the animal world, popular culture, folklore, and religion, Carter presents photographs that attempt to reflect hidden meanings in the real world. Accompanying the images is an introduction by Carter's friend and fellow photographer Bill Wittliff, who describes Carter's artistic journey and the epiphanies he has experienced. Patricia Carter, Keith's wife and muse, also offers her insights into the wellsprings of his work. Hardcover • 182 duotone photographs • 184 pages • 12 x 12 in. • $50 US • About the Book
One day in November | Photographs by Jessica BackhausJessica Backhaus’ book is a tribute to Gisèle Freund on what would have been her 100th birthday in December 2008. The book One Day In November is a testament to the friendship between the great photographer and a young photography student in Paris during the 1990s. Intended as a posthumous birthday present, Backhaus compiled a collection of images that are meant to convey visually what Gisèle Freund taught her and what Gisèle meant to her. Freund herself, a former Magnum photographer, can certainly be considered as one of the great artistic and intellectual figures of the twentieth century whose impact can be traced to her photographic work and colorful biography. Hardcover • 1 B&W / 99 color photographs • 128 pages • 8.5 x 9.5 in. • $78.00 US • About the Book
Who We Were | A Snapshot History of America
Since the birth of snapshots, Americans have used simple, inexpensive cameras to record their life stories. In the process, they have left behind millions of pictures that document the story of America. The book's authors — Michael Williams, Richard Cahan, and Nicholas Osborn — spent the past decade at flea markets and antique stores, and went online looking at more than a million family photos to find snapshots that tell America's story. The book begins in 1888 with the earliest snapshots and ends in 1972, when a NASA astronaut placed a cherished family snapshot on the moon. With 350 color and black-and-white photos, Who We Were shows a side of America not reflected in history or photography books: a racy, quirky, fun-loving nation. It shows real America. Hardcover • 350 B&W / color photographs • 240 pages • 10 x 9.75 in. • $45 US • About the Book |
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WEEKEND / OCTOBER 1, 8, 15, 22 & 29, 2011 We're pleased to present Flak Photo's WEEKEND series, a curated selection of images that highlights work from new photo essays, book projects and gallery exhibitions. Series photographs are published on Saturdays and shown throughout the weekend. Interior Relations | Photographs by Ian Van Coller While Ian Van Coller was growing up in the 1970s, the black women working in his parents’ upper class home in a whites-only suburb of Johannesburg were valued as members of the family. Nannies and maids who helped raise the children and run the household, they were ever-present confidants and friends. And yet they were conspicuously absent from family vacations and photo albums. Apartheid, though it has been officially consigned to history, continues to live on in nearly a million South African homes where blacks still serve the needs of the white minority. Van Coller’s first monograph, Interior Relations, deftly probes this enduring racial fault line with a simple yet elegant premise: he has asked black housekeepers, nannies and maids to wear their finest clothes, and to sit for formal portraits in the homes they care for. Though the subjects’ white employers are never shown, evidence of their privilege crowds around the women, forever out of reach: every portrait a cameo of apartheid in redux Ian Van Coller Website | Charles Lane Press Book Info | View the Series |
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SPONSOR FLAK PHOTO Do you have an online photography project you'd like to promote? Share it with our readers by placing a banner ad in this space. Banner space is available on a rolling basis. For details about our readership, media partnerships or other inquiries, email editor Andy Adams at photo@flakmag.com. |
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ABOUT FLAK PHOTO Flak Photo is a daily photography website that celebrates the art & culture of photography online. Produced by Andy Adams, the site highlights new series work, book projects and gallery exhibitions from an international community of contributors. SUBMISSIONS An online art space and photography publication, Flak Photo provides unique opportunities for artists and photography organizations to share their work with a community of photographers, galleries, publishers, curators and editors. To submit your work for consideration, email your photograph (sRGB JPG format, minimum 1000px wide) with title and caption details to photo@flakmag.com. Please include the following information with your submission:
Naturally, photographers retain all copyright on submitted materials. Contributors are formally credited and Flak Photo's style is to link the credit to a contributor's website. THE FINE PRINT All photographs presented here are the sole property of the contributing artist unless otherwise noted. Published works are protected under domestic and international copyright laws and are not considered to be public domain. No photograph may be reproduced, copied, manipulated, or used whole or in part of a derivative work, without written permission. All rights reserved. |
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